The Paso Doble, originally a Spanish folkdance, has the distinction of being one of the only ballroom dances that is only danced in the ballroom world. You will find people in clubs doing the Waltz, or the Tango or the Quick Step but you won't see them performing a Paso Doble.
Although bullfights can be traced all the way back to ancient Greece they weren't a part of the culture of Spain until the 1700's. The excitement and tension of the bullfight, the pride and dignity of the matador as well as the flair of his cape are all portrayed in the Paso Doble. Paso Doble is Spanish for "Two Step" which is a reference to the marching style of this dance with its 1-2 count.
For the ballroom competitions the Paso Doble is done with chest high, shoulders wide and down, head back but slightly tipped down. The body leans slightly forward and the majority of the forward steps are done with the heel leading. The dance is further enhanced with strong steps and dramatic poses. The Paso Doble is one of the most dramatic of all the ballroom dances.
The Paso Doble is one of the few dances that is for the man. The woman's part in this dance is strictly a supporting one. Depending on their interpretation she may take the part of the matador's cape, or the bull, or in some cases even the matador at different times throughout the dance.
Some distinctive steps of the Paso Doble are the chassez cape (where the man uses the woman as the cape), the Apel, where the man stamps his foot as if to attract the attention of the bull (a very strong move) and the Arpel which is a movement that starts with stamping of the feet then the couples walk in opposite directions.
Ballroom Dancing - The Cha-ChaThe London dance instructor Pierre Lavelle, who was responsible for having the Cuban Rumba declared the official Rumba, while on a visit to Cuba, had noticed that sometimes there were extra beats added to the Rumba. Upon his return to England he taught these steps as a completely new dance. It has been suggested that the name Cha-Cha (or Cha-Cha-Cha as it is called by some people) was coined for the sound of the 3 quick steps after the forward and back step (or back and forward steps). The steps for the Cha-Cha are taken on the beats accompanied by a strong hip movement as the leg straightens on the half beat.
The Cha-Cha is a fun, flirty, lighthearted dance that gets its distinctive "cha, cha, cha" rhythm because there are 5 steps danced to four beats. Dancers work parallel with each other in well synchronized movements sometimes employing the "New Yorker", a step where one of the dancers steps across the other and checks to change direction. Cuban motion, the hip motion derived from alternately bending and straightening the knees, is an important factor in this dance.
Unlike all the other ballroom dances, the Rumba emphasizes ones body movements more than their footwork. The rhythm of the dance, which is emphasized by any type of percussion, drums, pots, maracas, etc., is more essential to the dance than the tune itself. The fascinating rhythms and mesmerizing body movements of this dance make it one of the more popular ballroom dances.
The Rumba was influenced by the Spanish and Africans with most of the development of the dance taking place in Cuba. The Rumba evolved in 19th century Havana, originating with the African Negro slaves who had been imported. The rural Rumba was originally for exhibition rather than participation. In some reference works the Rumba is said to be a pantomime of the movements of barnyard animals with the steady level shoulders depicting the movements of slaves as they carried heavy burdens. However, most look at the Rumba as a dance of love and sensuality with the woman tempting the man with her charms, teasing then withdrawing. Some go a step farther saying the dance is a pantomime of sex with the man dancing very fast in a very sensual yet aggressive manner with greatly exaggerated hip movements, and the woman responding with a defensive attitude. Whichever is correct, the Rumba is the most sensual of all the Latin ballroom dances.
Son, Danzon, Guagira, Guaracha and Naningo are all names for the Rumba. The Son, which is a slower more refined Rumba was a favorite among the middle class Cubans. The wealthy section of Cuban society preferred the Danzon, which is an even slower Rumba using very small steps and more subtle hip movements.
The modified version of the Rumba known as the Son was introduced to Americans in 1913. In the late 1920's Xavier Cugat formed an orchestra specializing in Latin American Music which really didn't develop a following until around 1929. By the end of the decade Xavier had the best Latin American orchestra of his day.
Monsieur Pierre Lavelle, a London dance teacher, and his partner Doris Lavelle were responsible for bringing and popularizing the Rumba and other Latin American dances to Europe. In 1955 with the help of Pierre and Lavelle the Cuban Rumba was finally named as the officially recognized version of the Rumba.
During ballroom dance competitions the judges will be watching for the following:
* Interplay between the partners - this is a dance of love, a portrayal of romance. This is not the time for solemn, passive expressions
* A strong direct walk
* Lots of slow body shapes - the body NEVER stops changing its shape
* Figure eight hip rolls - hips alternating in a forward motion
* NEVER leading with the heel, stay on the balls of the feet
* The Cucaracha step - you should rock to the right or left then replace and close
* The fan position - the woman positioned to the man's left side, at arms length and at a 90 degree angle to the man
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